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Thomas Newman re-collaborated with Stanton on WALL-E for the reason that two got along nicely on Nemo, which gave Newman the Annie Award for Best Music in an Animated Feature. He began writing the rating in 2005, within the hope that beginning this task early would make him extra concerned with the completed film. But, Newman remarked that animation is so dependent on scheduling he ought to have begun work earlier on when Stanton and Reardon had been writing the script. Her theme when played as she first flies around Earth initially used more orchestral elements and Newman was encouraged to make it sound extra female. Newman said Stanton had thought up many ideas for the way he needed the music to sound, and he generally adopted them as he discovered scoring a partially silent film difficult. Stanton needed the whole score to be orchestral, but Newman felt limited by this idea particularly in scenes aboard the Axiom and used electronics too.